Why the scene feels wrong

There are some times when you want to try and write a scene and it just isn't working for you.

Maybe you aren't comfortable writing sex scenes. Maybe you don't agree with what your character is doing. Maybe the situation in your story is just too realistic to your past.

There can be a lot of reasons why a scene is hard to write or feels wrong.

But there is one key reason you should consider: Maybe you don't need the scene. Maybe you are writing it to fit something in the story that doesn't need to be there.

If you're having a hard time with a scene, take one basic step first. Make sure that scene is required.

If it is, take the time you need to get it right from there.

Overestimating science

Science is amazing. It can explain so many things and solve so many problems.

Science can't solve everything, however.

DNA evidence has been misinterpreted. Blood splatter analysis is questionable. There are diseases that are decades old and still cannot be cured.

It might be convenient to use science to solve whatever mystery or crime is happening in your story, but it isn't always realistic.

It's hard to find complete fingerprints. You can't use forensic evidence to identify someone if their information is not in any system. Sometimes, there are traces of too many humans in a public place to pick out one suspect.

Science is great and can solve many things, but it can't solve everything. Exaggerating its abilities in crime solving can turn off your readers. Make sure that your science is realistic when you want your readers to believe your words.

Eventually, stop the exercises

There are lots of things you can do to improve your writing.

There are things you can do to get to know your characters better. There are things you can do to improve your grammar. You can work on building tension. You can work on dialogue.

There are so many aspects to writing that you can work on that you can spend your entire life doing that and never actually get any writing done.

Make sure that you carve out time every day to stop learning and to actually do some writing. You can know everything in the world, but if you never do any writing, you’ll never get to use all that knowledge.

So write. Maybe now.

Learn with every edit

Sometimes, you need external help. You need to ask someone to edit your work because you have seen your words one time too many and you're never going to spot errors when you know exactly what you meant to say in the first place.

When you get to that point and you have someone else help you edit your work, make sure that you don't just accept and move on. Absorb everything you can from this gift that you've received.

Really take a look at those edits.

Did every one of your semi-colons have to be changed? Is your dialogue full of filler words? Are you redundant with adjectives?

If you get help from an editor, don't only let them help you with this one piece. Take a real look at the work they've done and try to catch those errors in your future work—no help required.

A villain only a mother could love

There are some people that only a mother could love. Some people that you simply can't believe other people hang around.

You may sometimes need to write this kind of person.

You might even have to make this kind of person interesting enough to be engaging to your readers and other characters.

Here's something that might help you: Love this villain like you were their mother.

Picture yourself as the person who was given the task to bestow them with unconditional love. Picture yourself as the person who will always wonder if you made them evil.

Give your villain as much love as you can, then maybe readers can give them patience no matter how evil they are.

Spy shy—In case you aren't into eavesdropping

You may have heard that you should eavesdrop on conversations around you if you want to learn how to write good dialogue. You should listen to the words flowing in public so you can get a feel for different accents and cadences and expressions.

That's nice; but eavesdropping can also feel a little creepy.

It can seem odd to eavesdrop on people. What are you supposed to say if they catch you? That you're working on writing dialogue? Seems awkward.

Well, fear not, there is another option that might not be as awkward or impossible to explain.

You talk to people every day. You listen to people every day in meetings or when asking for help or during any other normal transaction. You have nothing but chances to listen to people as you're going through your day.

So, if eavesdropping on people seems like uncomfortable spying, you can choose to pay more attention to the conversations that are already in your life. If nothing else, people will start thinking that you're a very good listener.

As precise as a contract

You need to be precise in a contract.

If you need someone to offer you five years of service, that isn't "a little more than a few" years. If you need ten people to access services, that's not "at least ten people." If you need access to Facebook, Instagram, and YouTube, you don't need access "to the most popular social media platform."

Contracts require precision and so should your writing.

Don't beat around the bush of what you’re trying to say with vague wording. Be clear and precise as though you were signing your life away on it.